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While procrastinating late Monday night, as I so often do when I have a viable writing topic, I found myself listening to music.
It’s not an uncommon activity in my life. A large percentage of my disposable income (and a lot that should have never been disposable) has been spent on music, not to mention my time, both disposable and indisposable, as well. Concerts, records, tapes, CDs, road trips.
But I’ll admit that over the last few years of my marriage, which LEGALLY ended in 2016, aside from time spent in the car, music had all but disappeared from my life. And maybe that should have been a sign. But that’s another story for another day.
Anyway, as I said, I was listening to music, something I do again, typically late at night. A strange mix … Dierks Bentley, the Cowboy Junkies, Henry Mancini, Metallica and Dave Brubeck. (I’ll admit, there was 10 minutes of George Carlin mixed in there, as well.)
I was listening to this strange mix as I put off writing something more substantial than my Facebook post from earlier Monday evening about former two-time National League Most Valuable Player and longtime Atlanta Braves standout Dale Murphy. Ironically, I’m still going to write that post, but it’ll be another day now, at least.
That’s because, while perusing Facebook, I came upon the New York Times story (How an Affair Between a Reporter and a Security Aide Has Rattled Washington Media) about the relationship between its reporter Ali Watkins and a man who handled security for many years for the Senate Intelligence Committee.
So, of course I was going to write about that. Being a former journalist — being a former journalist is like being a former Marine … there’s no such thing — the story presents some interesting and frustrating dilemmas during a time when the press is badly needed, as well as badly maligned.
And then Rakim happened.
Someone I know from high school, a lifetime ago, had shared the latest installment of National Public Radio’s Tiny Desk Concert. Featured for June 25, 2018 was Rakim, initially, at least, of Eric B. & Rakim fame.
I’ll admit it. Aside from straight up classical music, the least represented major genre in my music collection is rap. Or hip-hop, if you will. Old school Run D.M.C., some Sir Mix-A-Lot, Eminem, Kendrick Lamar … but not much else. A lot of it doesn’t interest me. A lot of it I respect but simply don’t enjoy.
I have read a lot about Rakim. But I haven’t listened a lot to Rakim.
But I did Monday night.
And I was treated to 9 minutes and 37 seconds of brilliance that maybe I wasn’t in the right frame of mind for 30 years ago, when Eric B. and Rakim were on top of their game. Kind of the same way I have a different appreciation for jazz now than I did as a young man.
And in a lot of ways, comparatively, Rakim’s style is jazz, at least vocally. His lyrics and voice are his instrument, and while aggressive, he is not necessarily loud and not in a hurry. Much as Willie Nelson brought jazz phrasing and guitar to his otherwise solid country gold lyrics, Rakim in some ways does the same thing.
It’s evident with the live band, rather than a DJ, backing him in the small NPR studio. The musicians are tight and work infectious grooves through three songs, allowing Rakim’s lyrics to shine as his instrument.
I was impressed. I had a moment, really. Usually, though, it’s when I hear something new that blows me away. I am admittedly not used to, at this point in my life, hearing songs more than two decades old, performed by the original artists, that pique my interest so completely.
My son, Dylan, possibly in the wrong place at the wrong time, can attest. He walked in the room in a moment of boredom after his computer crashed, expecting to wander in and wander out.
Instead he was detained by me and forced to surrender 9:37 of his evening, too, to sit and watch this Tiny Desk Concert. Not surprisingly, to me, he found himself, like I did, enjoying the video, foot tapping and hands popping.
The final two songs of Rakim’s three-song set, were “Paid In Full” and “Know The Ledge,” … classics and songs I will now seek out. But they followed “King’s Paradise,” a song released a few days ago and featured in Season 2 of Marvel’s Luke Cage on Netflix.
“King’s Paradise” is Rakim’s first new release in a decade. Suddenly, seemingly, I’m hoping it’s not his last.
Raising Two Americans 