Farewell, lady of the Bronx

Posted in History, Sports with tags , , , , , on September 22, 2008 by macmystery

Eighty-five years is a good life by almost any standard.

When you’ve seen the action Yankee Stadium has, it can’t be described as any thing but great.

The New York Yankees defeated the Baltimore Orioles 7-3 Sunday night, Sept. 21, 2008 in the final major league game in The House That Ruth Built. The Stadium, as New Yorkers (I’m not one) and the Yankees players refer to it, was opened nearly 85 years before – April 18, 1923. Babe Ruth homered that day and the Yankees beat the Boston Red Sox 4-1 to open their run for the first of their ridiculous 26 World Series crowns.

Julia Ruth Stevens, the 92-year-old daughter of the Babe was present Sunday. There was a 65-minute pregame ceremony. Virtually every great living Yankee, and many not living, was honored. Longtime public-address announcer Bob Sheppard, sometimes referred to as the voice of God, made a taped appearance. Derek Jeter was removed with two outs in the ninth, getting the ovation he deserved as the Stadium’s all-time hits leader, and Mariano Rivera was on the mound for the final out – the way it should be.

In 85 seasons, the Yankees went 4,135-2,430-17 at the Stadium. The Yankees took part in 37 World Series at the Stadium, winning 26.

The stadium got a facelift in the mid 1970s, and while it wasn’t nearly the same as the old Stadium, the new Yankee Stadium still had that “something.”

When the Yankees announced Sunday’s attendance, the number they gave was 151,959,005 – the total number of fans who passed through the turnstiles in the Stadium’s 85 seasons. I’m proud to say, though I’ve been to New York City but three times in my life, I accounted for two of those 151,959,005.

My first trip came in 1997. I’ll never forget it. My girlfriend at the time made sure I got to go, and I’m forever grateful.

I’ve heard my dad talk about my grandfather’s wish to see the Indianapolis 500 once in his lifetime. That was Yankee Stadium for me.

We sat near the back on the first base side, and the Yankees lost to the Blue Jays. I visited the monuments and took a ton of pictures (though, I’ve managed to post none here). Although I can’t recall if anyone noticed, I’m certain I cried.

The trip home after the game was as interesting as the game. We followed the subway directions my girlfriend’s sister had provided to get to the Stadium, and it all went smoothly. But she didn’t know that one of the trains we needed to take home, by her directions, didn’t run on the weekends. So as we sat in the station after a night game in the Bronx, waiting for a train that would never come, the crowds disappeared, and soon we were alone with a small crowd people that I’ll just call unruly. Eventually, someone gave us the correct directions, but for a few minutes, we were a little concerned.

I’ve since returned for another game, a couple of years ago on a baseball trip with three friends I love, yet see far too little. But the first time is the trip I remember best. And I can always say I was there.

I’m sure the new Stadium will be amazing. But it just won’t be the old Stadium, even the remodeled one.

I’ve been to a lot of major league baseball parks (27) and seen games in a lot better places to see a game, particularly Fenway Park in Boston. But even as great as it is, it won’t be as big a deal when it hosts its last game. The history just isn’t there.

Farewell, Yankee Stadium.

A little irony

The stadium opened in 1923 with a game against the Boston Red Sox. That was appropriate since it was the Red Sox that sold Babe Ruth to the Yankees and effectively allowed the two American League clubs to swap their fortunes.

But the Yankees have a history with Baltimore, whose Orioles were the final team to visit the Stadium on Sunday night. First, Babe Ruth, the star who got his stadium, was a Baltimore native. Secondly, the New York Highlanders, as the Yankees were known until 1913, were originally the Baltimore Orioles, before moving to New York in 1903. The Orioles’ name didn’t again surface until the St. Louis Browns moved to Baltimore in 1954.

Americana honors its own

Posted in Music with tags , , , , , , , , , , on September 20, 2008 by macmystery
Allison Krauss and Robert Plant

Allison Krauss and Robert Plant

The Americana Music Association held it’s awards ceremony Thursday night at the Ryman Auditorium in Nashville and strange-but-beautiful bedfellows Robert Plant and Allison Krauss were the big winners, taking home the Album and Duo/Group of the Year awards.

Peter Cooper — a former co-worker of mine, a talented musician and songwriter in his own right and the music writer for the Nashville Tennessean newspaper — wrote about the ceremony here.

Levon Helm, formerly of The Band, Buddy Miller, Joan Baez, John Hiatt and Nanci Griffith were among others honored, and Jerry Garcia was honored posthumously.

Helm is a treasure. He’s returned from cancer to make a great album. While Robbie Robertson may have written the songs, it’s Helm’s voice that made The Band great with songs like “The Weight” and “The Night They Drove Old Dixie Down.” And he did a hell of a job as Loretta Lynn’s daddy in “Coal Miner’s Daughter.”

Everyone has heard a John Hiatt song, whether they realize it or not: Bonnie Raitt’s “Thing Called Love,” B.B. King and Eric Clapton’s “Riding With the King,” Roseanne Cash’s “The Way We Make a Broken Heart” are a few of his songs others have recorded.

Americana music, which isn’t really a genre because it encompasses so many styles … blues, rock, country, folk, bluegrass … continues to thrive despite virtually no radio airplay at all.

And I’m glad, because if i was forced to listen to most of the crap on the corporate commercial radio now, I’d likely become one of those old white dudes listening to other old angry white dudes talking on the radio all the time.

And we’ve already got way too many of those, especially here in South Carolina.

The Americana Music Associations’s 2008 honors and awards

Album of the year: Alison Krauss and Robert Plant, Raising Sand
Artist of the year: Levon Helm
Duo/Group of the year: Alison Krauss and Robert Plant
Instrumentalist of the year: Buddy Miller
New emerging artist of the year: Mike Farris
Song of the year: “She Left Me For Jesus,” written by Hayes Carll and Brian Keane, and performed by Hayes Carll
“Spirit of Americana” Free Speech In Music: Joan Baez
Lifetime Achievement/Songwriting: John Hiatt
Jack Emerson Lifetime Achievement/Executive: Terry Lickona
Lifetime Achievement/Performance: Jason and the Scorchers
President’s Award: Jerry Garcia
Lifetime Achievement/Instrumentalist: Larry Campbell
Trailblazer: Nanci Griffith
Lifetime Achievement/Producer/Engineer: Tony Brown

Welcome to Hooters!

Posted in Odd, Sports with tags , on September 18, 2008 by macmystery
Can they take your order?

Can they take your order?

I really don’t know what the point of this is. But you just don’t find a photo like this everyday.

These are the rookies on the San Diego Padres undergoing a little bit of hazing from their veteran teammates.

Does it make you think twice about you’re next trip to Hooters? I don’t know.

But the next time you hear somebody say, “Just imagine if men were forced to parade around in outfits like that,” just say, “No thanks.”

Let it Ring!

Posted in Music, Politics, Religion with tags , , , , , on September 13, 2008 by macmystery

I saw the Indigo Girls in concert Thursday night, Sept. 11, at the Spartanburg (S.C.) Memorial Auditorium. And, as usual, it was awesome. Nonstop goodness.

It’s the sixth time I’ve seen them … well, it’s the sixth time I’ve seen them at an Indigo Girls show. I’ve seen them numerous times in Atlanta at other shows where they’d show up and play with friends like Michelle Malone. And I actually sat directly behind them – I was in the eighth row with my sister – at Bruce Springsteen’s Ghost of Tom Joad show at the Fox Theater in Atlanta on the night of the Super Bowl in 1996 (Jan. 28).

I was turned onto the Indigo Girls my senior year in high school. My AP English teacher Bobby Crowson and our valedictorian, Tommy White, were having a discussion about their debut. And Tommy, Chris Robinson and I listened to them on the way to a long weekend at Mrs. McMullen’s (our science teacher extraordinaire – physics, chemistry, life, you name it) cabin in the North Georgia mountains not long after graduation. I was hooked.

Their last album, “Despite Our Differences,” is the first one I haven’t bought as soon as it came out, excluding their greatest hits-type release and their rarities album. For whatever reason (likely, lack of cash), I didn’t take the leap this time.

Ont thing I learned Thursday is I need to go out and get that album. And I’ll be buying the next one – due in February – as soon as it comes out, as well.

I had planned, thinking about during the concert, on writing about some of my thoughts on the show. But I heard something at the end of the show that made me alter my plans.

After the Girls played “Closer to Fine,” their “Born to Run” so to speak, to close the main set, Amy came out alone for the encore. Playing a mandolin (or possible a mandola?), she launched into a blistering rendition of “Let it Ring” from her solo project “Prom.”

While I have bought the Indigo Girls’  albums almost religiously, I’ll admit I haven’t listened to any of Amy’s solo projects. Though, I’m not sure why.

Anyway, “Let it Ring” is a powerful song and the highlight of the evening for me.

Here are the lyrics:

“When you march stand up straight.
When you fill the world with hate
Step in time with your kind and
Let it ring

When you speak against me
Would you bring your family
Say it loud pass it down and
Let it ring

Let it ring to Jesus ’cause he sure’d be proud of you
You made fear an institution and it got the best of you
Let it ring in the name of the one that set you free
Let it ring

As I wander through this valley
In the shadow of my doubting
I will not be discounted
So let it ring

You can cite the need for wars
Call us infidels or whores
Either way we’ll be your neighbor
So let it ring

Let it ring
in the name of the man that set you free
Let it ring

And the strife will make me stronger
As my maker leads me onward
I’ll be marching in that number
So let it ring

I’m gonna let it ring to Jesus
Cause I know he loves me too
And I get down on my knees and I pray the same as you
Let it ring, let it ring
‘Cause one day we’ll all be free
Let it ring”

If Amy’s lyrics aren’t powerful enough, belted frantically at the top of her lungs, at the end of Thursday night’s live take, she, almost defiantly, worked in a couple of choruses from “This Little Light of Mine” at the end.

Brilliant. 

Here’s the only similar version I could find on the Web. Enjoy. Or don’t. I think that is kinda the point. If it makes you uncomfortable, so be it.

You didn’t have to tell me it was a classic

Posted in Music with tags , , , , , , , , , , , , , , on September 9, 2008 by macmystery
Steve Earle's 1997 classic "El Corazon"

Steve Earle's classic 1997 album "El Corazon"

Prefix, an online music magazine, has released a list of the Top 10 essential alt-country albums.

For the uninitiated, alt-country is a genre of music closely related to Americana. While classic artists such as Gram Parsons, Emmylou Harris and Johnny Cash often find themselves included in the genre, it isn’t synonymous with the country-rock fad of the 70s. You’ll find no Eagles here.

For the most part, what is now known as alt-country originated with the band Uncle Tupelo, which split in the early 1990s into two major bands: the straightforward Son Volt and the more experimental and pop Wilco, both of which have an album on this list. The genre is best covered by the now-online-only magazine “No Depression,” named for a Carter Family classic, Uncle Tupelo’s debut album and an AOL user group.

The No. 1 album on the list is Steve Earle’s El Corazon, one of several superb albums put out by Earle in the years since his incarceration for heroin posession in the early 1990s and my personal favorite. Other notable album’s on the list include the Jayhawks’ “Hollywood Town Hall,” Loretta Lynn’s “Van Lear Rose,” Lucinda Williams’ “Car Wheels On a Gravel Road” and Whiskeytown’s “Strangers Almanac.”

Here’s a performance of “Christmas in Washington” from Earle’s “El Corazon:”