Archive for the Music Category

Let it Ring!

Posted in Music, Politics, Religion with tags , , , , , on September 13, 2008 by macmystery

I saw the Indigo Girls in concert Thursday night, Sept. 11, at the Spartanburg (S.C.) Memorial Auditorium. And, as usual, it was awesome. Nonstop goodness.

It’s the sixth time I’ve seen them … well, it’s the sixth time I’ve seen them at an Indigo Girls show. I’ve seen them numerous times in Atlanta at other shows where they’d show up and play with friends like Michelle Malone. And I actually sat directly behind them – I was in the eighth row with my sister – at Bruce Springsteen’s Ghost of Tom Joad show at the Fox Theater in Atlanta on the night of the Super Bowl in 1996 (Jan. 28).

I was turned onto the Indigo Girls my senior year in high school. My AP English teacher Bobby Crowson and our valedictorian, Tommy White, were having a discussion about their debut. And Tommy, Chris Robinson and I listened to them on the way to a long weekend at Mrs. McMullen’s (our science teacher extraordinaire – physics, chemistry, life, you name it) cabin in the North Georgia mountains not long after graduation. I was hooked.

Their last album, “Despite Our Differences,” is the first one I haven’t bought as soon as it came out, excluding their greatest hits-type release and their rarities album. For whatever reason (likely, lack of cash), I didn’t take the leap this time.

Ont thing I learned Thursday is I need to go out and get that album. And I’ll be buying the next one – due in February – as soon as it comes out, as well.

I had planned, thinking about during the concert, on writing about some of my thoughts on the show. But I heard something at the end of the show that made me alter my plans.

After the Girls played “Closer to Fine,” their “Born to Run” so to speak, to close the main set, Amy came out alone for the encore. Playing a mandolin (or possible a mandola?), she launched into a blistering rendition of “Let it Ring” from her solo project “Prom.”

While I have bought the Indigo Girls’  albums almost religiously, I’ll admit I haven’t listened to any of Amy’s solo projects. Though, I’m not sure why.

Anyway, “Let it Ring” is a powerful song and the highlight of the evening for me.

Here are the lyrics:

“When you march stand up straight.
When you fill the world with hate
Step in time with your kind and
Let it ring

When you speak against me
Would you bring your family
Say it loud pass it down and
Let it ring

Let it ring to Jesus ’cause he sure’d be proud of you
You made fear an institution and it got the best of you
Let it ring in the name of the one that set you free
Let it ring

As I wander through this valley
In the shadow of my doubting
I will not be discounted
So let it ring

You can cite the need for wars
Call us infidels or whores
Either way we’ll be your neighbor
So let it ring

Let it ring
in the name of the man that set you free
Let it ring

And the strife will make me stronger
As my maker leads me onward
I’ll be marching in that number
So let it ring

I’m gonna let it ring to Jesus
Cause I know he loves me too
And I get down on my knees and I pray the same as you
Let it ring, let it ring
‘Cause one day we’ll all be free
Let it ring”

If Amy’s lyrics aren’t powerful enough, belted frantically at the top of her lungs, at the end of Thursday night’s live take, she, almost defiantly, worked in a couple of choruses from “This Little Light of Mine” at the end.

Brilliant. 

Here’s the only similar version I could find on the Web. Enjoy. Or don’t. I think that is kinda the point. If it makes you uncomfortable, so be it.

You didn’t have to tell me it was a classic

Posted in Music with tags , , , , , , , , , , , , , , on September 9, 2008 by macmystery
Steve Earle's 1997 classic "El Corazon"

Steve Earle's classic 1997 album "El Corazon"

Prefix, an online music magazine, has released a list of the Top 10 essential alt-country albums.

For the uninitiated, alt-country is a genre of music closely related to Americana. While classic artists such as Gram Parsons, Emmylou Harris and Johnny Cash often find themselves included in the genre, it isn’t synonymous with the country-rock fad of the 70s. You’ll find no Eagles here.

For the most part, what is now known as alt-country originated with the band Uncle Tupelo, which split in the early 1990s into two major bands: the straightforward Son Volt and the more experimental and pop Wilco, both of which have an album on this list. The genre is best covered by the now-online-only magazine “No Depression,” named for a Carter Family classic, Uncle Tupelo’s debut album and an AOL user group.

The No. 1 album on the list is Steve Earle’s El Corazon, one of several superb albums put out by Earle in the years since his incarceration for heroin posession in the early 1990s and my personal favorite. Other notable album’s on the list include the Jayhawks’ “Hollywood Town Hall,” Loretta Lynn’s “Van Lear Rose,” Lucinda Williams’ “Car Wheels On a Gravel Road” and Whiskeytown’s “Strangers Almanac.”

Here’s a performance of “Christmas in Washington” from Earle’s “El Corazon:”

R.I.P. Jerry Reed

Posted in Movies, Music with tags , , , , on September 3, 2008 by macmystery

Maybe if he had taken himself a little more seriously, more people would have know just how good Jerry Reed was with a guitar.  Of course, if he’d taken himself more seriously, he wouldn’t have been Jerry Reed.

Reed died Tuesday at the age of 71 after a long bout with emphysema. He was famous for being Burt Reynolds’ pal and for goofy country songs like “Amos Moses,” “She Got the Goldmine, I Got the Shaft,” “When You’re Hot, You’re Hot,” “The Bird” and, of course, the theme from his best-known movie, “East Bound and Down.”

Forget the rest. That movie is why I liked Jerry Reed. Not because he was going to win any Oscars. But you know how some songs, some movies, some TV shows just have a place in memories because of when you encountered them?

“Smokey and the Bandit” was that way for me.

It came out the last week of May in 1977. I was not quite 6, but this was the first non-kids movie I ever saw at a theater. That is, if by theater, you mean sitting in the back of a Dodge Dart at the drive-in with my parents.

(Coincidentally, another movie came out in that same week of May in 1977 that I would go on to see four times in the theaters as a 5/6-year-old before it’s run ended … “Star Wars.” I’ve seen it hundreds of times since, and now my son has already seen it dozens of times.)

Reed played the Snowman in “Smokey.” He drove the truck and had a basset hound with him. Only later would I realize how good a musician he was. A three-time Grammy winner, in fact.

Brad Paisley, a pretty good guitarist in his own right, as well as a singer of some Reed-like goofy songs, had nothing but nice things to say about Reed upon his passing:

“Anyone who picks a country guitar knows of his mastery of the instrument — one of the most inspirational stylists in the history of country music, a complete master. I’m in debt to him for paving the way for myself and the other guitarists of today.”

Reed was proudest of his musical abilities.

“I’m proud of the songs, I’m proud of things that I did with Chet (Atkins), I’m proud that I played guitar and was accepted by musicians and guitar players.”

I was going to include some clip of Reed playing my favorite of his, “Amos Moses,” but it seems all of his YouTube videos are suddenly “no longer available.”

So the best I could do was a short of him with fellow guitar legend Chet Atkins.

So long Isaac Hayes

Posted in Movies, Music with tags , , on August 13, 2008 by macmystery

The music world will miss Isaac Hayes, who dies a couple of days ago, apparently from a stroke.

Hayes was best known for his theme from the blacksploitation move “Shaft.”

But, by far, my two favorite Hayes contributions involved cartoons. He was responsible for the character Chef, integral to 137 episodes of South Park from 1997-2006.

And secondly, he was responsible for the song “Two Cool Guys” used as the intro to the movie “Beavis and Butt-head Do America.”

Here it is:

Marvin Gaye and the Star Spangled Banner

Posted in Music, Sports with tags , , on August 13, 2008 by macmystery

Nike is running a TV ad during the Olympic broadcasts. I think the ad is for the U.S. basketball team, but the background is part of Marvin Gaye’s version of the Star Spangled Banner, with quick cuts of him among the basketball highlights.

Gaye’s version of the national anthem was from the 1983 NBA All-Star Game. He already had a pretty serious drug problem at the time and was 30 minutes late to the game, forcing the festivities to wait. He then sang an unusually soulful rendition of the tune with a drum machine backbeat that was definitely unlike anything the TV execs had expected.

According to 1980s pop star Thomas Dolby, Stevie Wonder told him it was the reason, despite Gaye’s popularity at the time (“Sexual Healing” was on the charts), he was never on TV again until he was dead, which was about a year later.

Some folks (maybe those with lead pipes in their houses and lead paint on their toothbrushes) still see his rendition as some sort of insult. Come on people. It’s not like he pulled a Carl Lewis or Roseanne.

Nonetheless, I think it’s beautiful. And I’m glad, even if it’s thanks to Nike, I get to hear it a little more often.

For those that haven’t seen it, here it is: